The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and-most important-musicality and transparency. Our discrete design delivers ultra-low noise and transparency. Op-amps add noise, coloration, and harshness to a signal.
We only use genuine transistors, resistors, and capacitors. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. The XMAX preamplifier runs on power rails of 30V. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps. The FL Studio's community growth is amazing, and there is no sign of slowdown any time soon. The FL Studio program has more than 30,000 downloads every day. XMAX preamplifiers are built with three key elements: The program will offer you a smooth learning curve, and you will get lots of cool features that will help you in the creation of outstanding projects. But with XMAX preamps, the sonic quality is limited only by the microphone you plug into it. A cheap, off-the-shelf, op-amp-type mic preamp delivers thin, noisy, harsh results. A good preamp boosts the level to almost 400 times that of the original signal, making the preamp one of the most important stages in an interface. The job of a microphone preamplifier in a digital mixer is to boost a microphone-level signal to line level before conversion to the digital domain. We start with a great microphone preamplifier.
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